Category Archives: Earth
Touching and being touched by the landscapes and hidden nooks
A thin layer of week-old snow glistens with sparkles, each tiny pinprick an icy mirror angling out toward the sun blazing low over the southern horizon. Way down across the long arc of the deeply-tilted Earth our local star, the Solar Heart, is flashing bright and fractured through the dark, silhouetted upper boughs of piney woods while two tender nostrils tingle deliciously with each pulse of winter-chilled in-breath, fueling the fleshy heart that beats inside my chest.
Right now, these woods are rolling across the top side of our planetary ball, which is leaning back from the sun as fully as it ever does. The coastal plain here alongside the Gulf of Maine is spinning its way eastward toward that midday moment when it faces the sun, slipping along there among the branches, as high as it will get on this winter solstice day, this sacred day when the long waning of daylight turns and begins waxing toward summer’s fullness.
The winter solstice is prime time for being able to see and feel the eternally tipped earth beneath us. For one day, its 23½ degree tilt (more than a quarter of the way to lying on its side!) is perfectly aligned with the sun—the Antarctic bathed in 24-hour sunshine and the Arctic never glimpsing its light. Those of us living between these polar extremes also experience the full extent of earth’s tilt, revealed here in New England by the sun’s low arc through the sky. Today’s solstice sun is less than half as high as where it stood a three months ago on the equinox noon; the fact that the earth is leaning far back from the Solar Heart is inescapable—obvious to eyes and geometry as well as in the cold air and the soft light brushing across the landscape.
This shortest-day, lowest-sun, backward-tipped moment is not only a touchstone of the seasonal cycle. It’s also—amazingly and coincidentally—the turning point of our Galactic Year, for the winter solstice portion of Earth’s orbit around the sun happens to take us through the place in space that lies on the far side of the sun from the center of the galaxy. So today—and for the week or so before and after solstice—the Galactic Heart sits nearly directly behind the sun in our winter sky; the Milky Way’s glorious splash of diffuse light, that starry trail that on summer nights draws our spirits out into the largest of our visible bodies—the galactic body—is today shining invisibly alongside the sun, and for a brief moment at midday this Galactic Heart and the Solar Heart meet our hearts as each local landscape in turn spins at twelve miles a minute across the sunward edge of the earth to face them.
It may feel startling or unfamiliar, but don’t let this rapid expansion of the horizon disorient you: all this attunement to the planetary, solar, and galactic bodies is simply a broader view of our familiar ways of connecting with—and being a part of—the place where we live. When we really notice the shapes and forms of the land and life around us, and the natural cycles and enduring relationships that tie it all together, we begin to appreciate the larger rhythms within which life springs forth, and so also come to feel the mystery of our lives as a barely perceptible—and cherished!—glimmer within a larger majesty.
As always, it is our lived experience in the world that connects us to the spiritual heart of the matter. My neural-laced body—tender skin stretched around juicy meat and articulated bone—wakes each day as part of a blooming, buzzing collusion of soil, water, and embracing air wrapped close around its earthly ground, a just-right goldilocks world where creation flares forth with all of its inherent intelligence and symbiotic design, opening into pine needles and tumbling streams, root hairs and auroral ripples, hooting gibbons and seabottom vents, ant colonies and sky-shaking storms, moon-tugged tides and all the shapes and sounds of human societies.
We humans have long recognized our embeddedness within the natural world; this unity comes alive in a new and radically expansive way as I begin to see and feel my place on the earth spinning along in its eternal circle dance with the sun, each of my days enlivened by that generous, infinite source that has forever called the human spirit forth.
Just as my spiritual connection with the woods emerges from attention to the physicality of trees and leaves and seasons and weather and light . . . or my love for the American West grows out of the bodily experience of traversing the fantastic forms of its sprawling mountains and vast rangelands . . . or the patterns newly woven across the sand by each day’s receding waves shape the way my soul is soothed by the shoreline . . . and just as the solace of caring human touch can nourish a lifelong blending of hearts . . . so too do I attend to the dance of this lovely planet around our life-giving star and feel my way into the rhythms within which our whirling solar system revels us with its seasonal cycle of vistas into the embracing arms of our galactic home.
Each of these glimpses of direct perceptual experience and bodily presence (of embracing woods, the expanse of a continent, the shifting edge of the sea, loving touch, earth and sky) opens doors through which my sense of self—my very identity—expands and joins in communion with the same mighty and generative force that knits together the cosmos, pours through the sun, and forever blossoms so subtly and wildly within this biospheric blanket of our precious planet.
And so today one receptive, attentive body looks skyward through the pines and honors the moment when these woods of home turn to face the solstice sun and the galactic heart beyond. Yet another fleeting instant among the days and seasons of a piece of land spinning once a day around the steadily-tilting axis of this planet traveling the great circle of the year around our mighty star within the vast expanse of its galactic home—all seen and felt through the limited senses and mind and the boundless heart and spirit arising within one fragile, resonant human being. Here on the edge of the world, all my hearts meet as one.
Contrary to popular opinion, the colorful glory of fall foliage season is not when the northern woodlands are at their most enticing. Rather, the subtle kaleidoscope of colors and textures that bursts forth over six weeks or so each spring is the time that their beauty is most dazzling—if you look closely!
This first flush isn’t nearly as flashy as the forest’s autumnal swan song; indeed, there’s nothing particularly compelling about the mist of dusty olive-green gradually filling out the brown of long-dormant hillsides. While we welcome the promise of leafy woods to come, this initial pulse seems little more than a prelude to summer. Birds and springtime flowers, frogs and peepers, shirt-sleeve sun are what capture our attention, while the woods awaken in the background.
Look at bit closer, though, and the prelude becomes a delight-filled symphony in its own right. It is—by far!—the time of the most varied visual delights: brilliant two- and three-toned buds bursting forth; tumbling crimson maple-flowers; feathery beech leaves cracking open their long, arcing sheaths; fiddleheads unfurling atop thin stalks. And as a backdrop to all this, an impressionistic splattering of new leaves in a diverse palette of color tones is gradually filling the fractal lacework of the forest canopy. Many leaves begin as rusty-browns and dirty-greens, a few shine in deep reds, and of course there’s every shade of green known to god and man (sage to spring to yellow to olive), while just for good measure, a few trees leaf out in pale off-white, tinged with a dusty yellowish cast or the merest hint of green.
Looking across the landscape, all this can fade into a drab-but-promising brownish-green, but up close the colors all pop and contrast in delightful ways. The trick is to pause and take in these details when you’re walking; then you’ll notice this same incredible variety splattered across all the larger views as well. Yet it’s not just about color—there’s no arguing that fall dazzles in that department. But all those bright autumn leaves are, well, leaves—while the springtime woods are a mad mashup of new and rapidly-changing arboreal body parts.
In the near- to middle-distance, across a meadow while on foot or alongside the road when driving, the diversity of forms and textures is most striking—and it’s here that spring most dramatically out-dazzles fall. While the endpoint of nearly all that’s now bursting forth will be quite similar (deep green leaves filling the space in and around all the trees and bushes), for these first few weeks, our view into and through the woods is a jumble of radically different shapes, sizes, and structures. Leaves, of course, at every stage (bright and tender first shoots, drooping rust-tinged youngsters, and stiffening-up, nearly mature greens), but also tree-flowers—some soft and droopy, others in compact bunches, and a few elaborate and brilliant cascades—and some early seeds as well, especially the red maple wings that add their bright touch to the end of this spring emergence, in the same way their flowers first speckled the canopy while the season opened. Often, new green leaves are tucked right up against flowers or seeds, creating a temporary and eye-catching contrast in both color and texture.
All these joyful first expressions of spring add up to create a delicious cacophony of awakening. Around every corner is a new surprise—little microhabitats with a sudden splash of full-on deep green where a tree or few are nearly leafed out, or a north-facing hillside that lags a couple weeks behind, silhouetted webs of branches just beginning to be obscured by tiny early growth and the faintest hints of color. Traveling short distances—toward or away from the coast, or into the hills, or a couple hours north or south—also triggers quick rewinds and fast-forwards through this most varied of months.
It won’t be long until the thick blanket of green settles into its summer uniformity. For now, though, the awakening of the woods unfolds slowly, inviting us to take in the subtly compelling wonders of these precious, fleeting weeks of the Spring Tinge.
Lots more images below; click through to revel in the tinge!
All images in this post can be enlarged by right-clicking & choosing “open link in new tab/window”
(not “open image in new tab/window”)
An April maple, its intricate tangle of latticed branches silhouetted against the sky. Six months of rest, winter-bare—but now, this week, the stark duotone of branch and sky is spangled with glimmers of red: tender, vibrant tree-flowers speckle the crowns of all the maples in these woods. Across the field, this hint-of-red brightens the undulating skyline of the forest. And right here, arcing over the trail, the branches fifteen feet above are likewise bursting forth with brilliant bits of crimson. So celebratory, so alluring—yet just out of reach, a tad too far away to really see. This calls for some Vision Enhancement!
A quick probe into the daypack; aha, yes. There we go. And wow, what an exuberant outpouring it is! Spilling from tiny flaring petals, three or four thin stalks droop downward, each one opening into another miniature flowering knobbule that culminates with a final looping bit of plant-flesh, curving like a cat’s claw—this whole elaborate flaring-forth radiant in the exact same shade of rich red (perhaps just slightly tinged toward salmon), and each of these little flowers tucked in close to several others, all tumbling together in a jumble.
I pan slowly up, past similar clusters of bright blooms scattered throughout the twiggy expanses of the maple here beside me . . . then slip for a few moments into hyper-3D, sliding through the vivid depth of field that’s one of the special joys of playing around with binoculars: slowly fingering the focus knob, dropping ever deeper into the tangle, skipping from flower to flower, branch to branch, each blurry background layer, in turn, coming into sharp relief then gradually softening again into a smudge of diffuse color as the next cluster behind rolls into prominence.
And so it begins. The first breath of spring in this land of the white pines. A soft inhalation of welcome, laced with promise. Anticipation. The woods pond is suddenly bigger by half, its waterline bulging into the interseasonal zone’s soggy-footed grasses and—presto—alive again with ducks: ten mallards, already sorted into five tightly-bound pairs. Relaxed, attentive, they move together, keeping a comfortable distance from the human making his way along the trail a few yards into the woods, whose feet fall softly and slowly among mounds of mosses—bright, engorged, alert—that sprawl over roots and rotten stumps in the boggy woods.
And so it spins, today’s in-breath but one of many that will carry us out of the skin-chilling months of winter’s penetrating embrace. This day, this week, this very moment, each rises and falls away one after another—the stillness and bluster of winter also a deep breath enlivening the great pulse of our planet; all these breaths giving rise to the heartbeat of life here in our thin earthly skin where soil and sky touch, reach into each other, interpenetrate. . . . dancing alive this singular, symbiotic wholeness and each of its integral, particular faces.
And so it is. Water pooling atop saturated soil, bogs softened, filling and spilling across woods duff into yards-wide mini lakes. The pond spreads to fill its little clearing, even as ice lingers; one of the ducks steps up onto this milky-white remnant to stand and stretch with a patti-pat-pat of wing slaps. The others graze, bottoms-up in turn, on greenery sprouting from the mud a few inches below the surface, a variegated mirror laced with dark and bright reflections of tree trunks on the far shore, their bare twigs now hissing in a passing breeze; beyond, a hundred-foot pine tosses to and fro with a roar of its own. The warm wind plays in the woods all around, enlivening the space with a finely-honed sense of rhythm and depth: airy fingers brushing through a cluster of pines at the end of the pond, setting them astir. . . and now caressing a bushy high crown directly overhead into a throaty sigh.
The pulses of this aural tapestry rise up and fall away on all sides, one or two surging to a crescendo every ten seconds or so, overlapping, giving way to the next—over here, now there, and again moving on—layering into an immersive surround-sound whole that encompasses and cradles the pond’s swelling shoreline with its ice and its ducks and its hidden hoards of slumbering amphibian serenaders of dusks to come. Now a puff of breeze skims across the pond’s surface, countless tiny ripples dancing and sliding, a patch of shimmering light blinking across the water, then gone again, the gust skipping back up as it approaches, lifted again toward the clouds by the trees on the near shore.
The ducks meander together around the pond, muttering among themselves. A songbird trills nearby, staking his claim. A chest swells, contracts, swells again, taking the moment to heart. Tall pines sway, the sun glows a bit brighter through thinning clouds, the stream feeding the pond gushes wide and strong past leaf-packed banks. This week may feel like a turning, yet even tonight will drop to near zero, the ice spreading once more—thin, transient—sending these eager ducks back to one of the briny estuaries four miles south or the flowing river a half-mile east.
Just so: a breath in the body of our land of the white pines. A beat of the earthly heart. The ephemeral, palpable embrace of a woods pond at midday in the season of vernal stirrings.
(Part 2 of 2; here’s the other one)
As to scenery (giving my own thought and feeling),
while I know the standard claim is that Yosemite,
Niagara Falls, the Upper Yellowstone, and the like afford
the greatest natural shows, I am not so sure but that the
prairies and plains, while less stunning at first sight,
last longer, fill the esthetic sense fuller, precede all the rest,
and make North America’s characteristic landscape.
—Walt Whitman, Specimen Days, 1879
The realm of high mountain peaks has so often felt like the prime place to experience the meeting of earth and sky—all those jagged summits piercing the atmosphere, their sheer power (primal earth) stirring sky to respond, calling forth great explosions of cloud and bringing down the rains from on high. Yet: today I see the folly—and dare I say the maleness—of that narrow view of the eternal dance of sky across earth under sky. For now, all around/under/within me, a very different and equally powerful union is taking place: the skin of the earth is rippling at the wind’s touch.
Here, at the bottom of the sky, rolling hills blanketed with supple grasses shimmer under a day-long caress of the hundred-mile winds of the plains. On a nearby slope, nearly backlit by the mid-day sun, large-scale patterns show the wind moving steadily left to right. Yet within this flowing motion are countless smaller and constantly shifting shimmerings, bright patches within the larger patterns, slipping and sliding across the hills: expanding disappearing returning trembling. This play of light is dynamic and detailed, riveting and subtle to the very edges of perception in ways that call to mind the ionic exuberance of the northern lights.
Drawing my gaze in, to the prairie carpet closer at hand (foot), Read the rest of this entry
(Part 1 of 2; here’s the other one)
As dusk fades to night, a strong wind stirs the stiff, heat-hardy leaves of oak and hickory into steady sensual contact with their brethren; the sound we know as “wind in trees” is, in actual deed, tens of thousands of leaves caressing each other. Spinning out a two-day tendril from the Rockies to the nearest edge of the eastern forest, I’ve touched down in the Cross Timbers of northeastern Oklahoma, an oak-centric forest that’s a sort of stepping stone between the prairies and the Ozarks—from which spread the piney forests of the southern gulf plain and the leafy Tennessee and Kentucky woods that stretch on to the ancient bones of the Appalachians.
Many times I’ve travelled between my home in a small valley at the southern tip of the Rockies and the moister, sylvan landscapes of the east. This time, instead of zipping through the vast open plains in a burst of I-40 intensity, the journey stretched to fill two long days—laced with detours and countless pauses along the way, and so knitting together another stretch of my experiential map of our varied continent.
For starters, I slipped off the interstate after just a couple hours, drawn by the chance to cross the Canadian River in a more exciting spot: dropping suddenly into a 600-foot canyon gouged into the western edge of the plains. Read the rest of this entry
Finally, a video of aurora that isn’t speeded up by today’s craze for time-lapse. For two nights in the early 80’s aurora swept far enough south to be overhead in central Maine (very rare; usually they’re on the northern horizon at best), and we were entranced by their visual Majavishnu dance. Slower than water in a stream and faster than clouds overhead, the rippling motion of aurora hit a real sweet spot for lifting viewers into an extended state of wonder. While of course video in a 500-pixel-wide portion of a screen can’t replicate this wonder, you can get a faint taste of it from this show in Canada’s Northwest Territories.
And check this out: the same footage with comparisons in real-time and time-lapse. As he explains, while real-time captures the actual feeling of the motion, that 30fps shutter speed dims the colors, while time-lapse sequences come closer to presenting the color as seen by the eye, at least for bright aurora.
Note, though, that many time-lapse videos of the night sky, using a series of still shots at wide aperture, clearly exaggerate the brightness, as compared to human vision; virtually all of the gorgeous milky way time-lapses do this to a fairly dramatic degree, as do some videos of fainter aurora. Real time video, by contrast, will, if anything, under-represent the brightness of the night sky.
I am holding the hand of a small child in a yellow raincoat and orange bib overalls. His little boots have long ago filled with water. His hair is damp and smells of salt. And I am staring at my boots and thinking of what it could possibly mean to this child, to live on a planet whose life-supporting mechanisms have frayed and fallen apart.
He sucks in his breath. “Hey! Guys! Come close and look. Come close and look.” Under a blade of rainbow kelp, he has found the red, orange-spiked, gooey sea animal called the California sea cucumber, Parastichopus californicus. How beautiful it is, and how beautiful is the human impulse to be astonished.
But there’s this: Yesterday, on a beach only two miles from this one, sea cucumbers by the hundreds washed up, dead. I’d never seen anything like that before. Gloriously colored animals sagging under the sudden weight of the world, they rolled in with the tidal detritus, tangled in seaweed and slime.
What does this mean for our children, yours and mine, this dying? Can children thrive in a world where other species are vanishing as they watch? I just don’t know. And what does it mean for us, the parents and grandparents who desperately love these children?
Do read the whole thing; it’s beautifully written. And click through for links to two other recent pieces by Kathleen.
I recently discovered Michael Leunig, an Australian cartoonist whose wonderful and often-poignant work is well worth perusing; his site features extensive archives. Click through below for a few more of the ones that jumped out for me (one in every five or ten, I’d say; many others are pretty grim, if also too true).